《Choreomata》作者：Roberto Alonso Trillo, Marek Poliks【PDF】

千石抚子

副标题：Performance and Performativity after AI

简介：
Is artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one’s subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended?

Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory.

Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.



标题里的两位作者大概是编辑。

烟雨红尘

将此书翻译下，不准确怪AI

人工智能（AI）是否变得越来越具有表现力，还是人类的思维正在越来越多地借鉴计算机的运作方式？通过AI来表现自我，或者借助AI构建自己的主观性，这意味着什么？AI如何不断改变人们对“拥有身体”这一概念的理解？尤其是就创造性应用而言，AI的黄金时代是否已经结束？《Choreomata：AI之后的表演与表演性》这本书探讨的是表演与表演性，更具体地说，它关注的是人工性以及智能的展现方式。人类与人类设计的计算系统共同参与了一种相互交织的AI表演过程。本书通过跨学科的思维框架，将哲学、信息论和计算机科学的理论研究与视觉艺术、舞蹈、音乐和社会理论的实际案例相结合，为计算机科学家、社会科学家、行业从业者以及艺术家等各界人士提供了深刻的见解。